求助英文高手关于英文版的《傲慢与偏见》RT~求人物关系表（或文字）,精美语句,语言点,作者介绍万分感谢!

求助英文高手关于英文版的《傲慢与偏见》RT~求人物关系表（或文字）,精美语句,语言点,作者介绍万分感谢!
求助英文高手关于英文版的《傲慢与偏见》
RT~
求人物关系表（或文字）,精美语句,语言点,作者介绍
万分感谢!

求助英文高手关于英文版的《傲慢与偏见》RT~求人物关系表（或文字）,精美语句,语言点,作者介绍万分感谢!
人物关系
http://upload.wikimedia.org/wikipedia/commons/5/54/Pride_and_Prejudice_Character_Map.png
人物简介
* Elizabeth Bennet is the main female protagonist. The reader sees the unfolding plot and the other characters mostly from her viewpoint.[7] The second of the Bennet daughters at twenty years old, she is portrayed as intelligent, lively, (somewhat) attractive and witty, with her faults being a tendency to judge on first impressions and perhaps being a little selective of the evidence she uses to base her judgments upon. As the plot begins, her closest relationships are with her father, her sister Jane, her aunt Mrs. Gardiner and her neighbour Charlotte Lucas. Because of his ingratiating manner, Elizabeth believes the words of Mr. Wickham over the terse but honourable Mr. Darcy.
* Fitzwilliam Darcy is the main male protagonist. At twenty-eight years old and unmarried, 'Mr. Darcy' is the wealthy owner of the famously superior estate Pemberley in Derbyshire. Portrayed as handsome and intelligent, but not convivial, his concern with decorum and moral rectitude is seen by many as an excessive concern with social status. He makes a poor impression on strangers, such as the people of Meryton, but is valued by those who know him well. His close relationships include his friend Charles Bingley, who has rented an estate in Hertfordshire, near Meryton.
* Mr. Bennet has a wife and five daughters. Portrayed as a bookish and intelligent man somewhat withdrawn from society and one who dislikes the frivolity of his wife and three younger daughters, he offers nothing but mockery by way of correction. He is closest to his older daughters, especially Elizabeth.
* Mrs. Bennet is the wife of Mr. Bennet and mother of Elizabeth and her sisters. Her main objective in life is to find (wealthy) husbands for her five daughters, but she lacks the subtlety to execute her goals. She is portrayed as frivolous, excitable and narrow-minded. She is susceptible to attacks of tremors and palpitations, and her public manners are embarrassing to her eldest daughters. Her favourite daughter is the youngest, Lydia. Elizabeth is her least favourite daughter, being described as "the least dearest to her of her daughters."
* Jane Bennet is the eldest Bennet sister. Twenty-two years old when the novel begins, she is considered the most beautiful young lady in the neighbourhood. Her character is contrasted with Elizabeth's as sweeter, shyer and equally sensible but not as clever; her most notable trait is a desire to see only good in others. Jane is closest to Elizabeth.
* Mary Bennet is the middle Bennet sister, aged around eighteen. The only plain one of the five, she strives to be the most accomplished. She spends most of her time reading and studying, but without understanding. Of the sisters, she thought most highly of Mr. Collins.
* Catherine (Kitty) Bennet is the fourth Bennet sister, aged seventeen. Portrayed as a less headstrong but equally frivolous shadow of Lydia.
* Lydia Bennet is the youngest Bennet sister, aged fifteen. She is repeatedly described as frivolous and headstrong. Her main activity in life is socialising, especially flirting with the military officers stationed in the nearby town of Meryton. She dominates her older sister Kitty and is supported in the family by her mother.
* Charles Bingley has just rented the Netherfield estate near Longbourn when the novel opens. Twenty-two years old at the start of the novel, handsome, good-natured and wealthy, he is contrasted with his friend Mr. Darcy as being less intelligent but kinder and more charming (and hence more popular in Meryton). He lacks resolve and is easily influenced by others.
* George Wickham is an old acquaintance of Mr. Darcy, and an officer in the militia unit stationed near Meryton. A superficially charming man, he forms a friendship with Elizabeth Bennet, prompting many to remark upon his suitability as a potential husband. He spreads numerous tales about the wrongs Mr. Darcy has done to him, colouring the popular perception of the other man in local society; it is eventually revealed that these tales are distortions, and that Darcy was the more wronged man in their acquaintance.
* Mr. William Collins is Mr. Bennet's cousin and a clergyman. Since Mr. Bennet has no sons, Collins is in line to inherit Mr. Bennet's estate. Jane Austen described him as "not a sensible man, and the deficiency of nature had been but little assisted by education or society". Collins is thought to be naively stupid by Mr. Bennet, and Elizabeth rejects his marriage proposal. She is very distressed when her friend Charlotte Lucas decides to marry Mr. Collins out of interest in his estate rather than his personality. Collins constantly boasts about his acquaintance with Lady Catherine de Bourgh.
语言点
Pride and Prejudice, like most of Jane Austen's works, employs the narrative technique of free indirect speech. This has been defined as "the free representation of a character's speech, by which one means, not words actually spoken by a character, but the words that typify the character's thoughts, or the way the character would think or speak, if she thought or spoke".[7] By using narrative which adopts the tone and vocabulary of a particular character (in this case, that of Elizabeth), Austen invites the reader to follow events from Elizabeth's viewpoint, sharing her prejudices and misapprehensions. "The learning curve, while undergone by both protagonists, is disclosed to us solely through Elizabeth's point of view and her free indirect speech is essential... for it is through it that we remain caught, if not stuck, within Elizabeth's misprisions."
作者介绍
Jane Austen (16 December 1775 – 18 July 1817) was an English novelist whose realism, biting social commentary and masterful use of free indirect speech, burlesque, and irony have earned her a place as one of the most widely read and most beloved writers in English literature.[1]
Austen lived her entire life as part of a small and close-knit family located on the lower fringes of English gentry.[2] She was educated primarily by her father and older brothers as well as through her own reading. The steadfast support of her family was critical to Austen's development as a professional writer.[3] Austen's artistic apprenticeship lasted from her teenage years until she was about thirty-five years old. During this period, she experimented with various literary forms, including the epistolary novel which she tried and then abandoned, and wrote and extensively revised three major novels and began a fourth.[B] From 1811 until 1816, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1816), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before completing it.
Austen's works critique the novels of sensibility of the second half of the eighteenth century and are part of the transition to nineteenth-century realism.[4][C] Austen's plots, though fundamentally comic,[5] highlight the dependence of women on marriage to secure social standing and economic security.[6] Like those of Samuel Johnson, one of the strongest influences on her writing, her works are concerned with moral issues.[7]
During Austen's lifetime, because she chose to publish anonymously, her works brought her little personal fame and only a few positive reviews. Through the mid-nineteenth century, her novels were admired only by members of the literary elite. However, the publication of her nephew's A Memoir of Jane Austen in 1869 introduced her to a wider public as an appealing personality and kindled popular interest in her works. By the 1940s, Austen was widely accepted in academia as a "great English writer". The second half of the twentieth century saw a proliferation of Austen scholarship, which explored many aspects of her novels: artistic, ideological, and historical. In popular culture, a Janeite fan culture has developed, centred on Austen's life, her works, and the various film and television adaptations of them.

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